A work that defies the hegemony of the visual sense in the creation and reception of images. What synesthetic effects can they arouse?

After looking at a corpus of European and contemporary theoretical essays and famous images, a series of images are produced. These images explore the bridges between vision and the other senses.

Born from the final bachelor’s project at the American University of Beirut (AUB), this book was shaped under the thoughtful guidance of Reza Abedini, mentor of the project.
The book's photographs were realized with the artistic partnership of Omar Ramadan.

A poem about waiting inscribed on a latex tube. Growing installation.

Appeared in the shred Tension in the installation Maison in june, the shred Ficeler in the installation Maison in july and the shred Ficeler and a performance in the festival Les Voix qui Portent in july.

A room that hosts Sabine.

Sabine hides her childhood dolls under her bed. She says that, one day, they will plan a big supper, during which she will ask those who are wearing blue why they always appear in her dreams.

A face of Khouloud’s.

Sculptural work created within the Art-Object studies at the “Book” workshop of the Haute École des Arts du Rhin (HEAR).

A throwback to my arrival to France after I left Lebanon. Wandering around the photos and the poems arouse the vertigo from adjusting from one emotional state to another.

Installation exhibited during the DNA jury at the Haute École des Arts du Rhin, and later presented in the exhibition (Co)Habiter at Espace Apollonia, as part of the Les Habité·e·s festival.
A selection of the installation’s salted paper prints is available for acquisition in the shop.

A room in which Joud remains.

Joud makes paper planes. One of them flew further than 10m. She sometimes makes paper boats. She says that those fly better than her planes, but that she would not dare throw them.

Two photo series entitled: racines (roots) et feuille (leaf).

Exposing one obliges fracturing the other. The book is sealed on both ends, the reader must make a choice to;
unbind the pages to access the serie feuille
or
cut the foredge to access the serie roots

Book created as part of the Object-Art program, within the “Book” studio at the Haute École des Arts du Rhin (HEAR).

Book which showcases a typographic interpretation of the novel The Beginning and the End by Najib Mahfouz. The novel is about a family who lives in an impoverished neighborhood in Egypt. The characters face dark events and realities that challenge their family bonds and moral integrity. Their choices either escalate their vulnerability or their brutality.

Book designed as a student project within the Bachelor program at the American University of Beirut.

Book of intaglio prints of multiple states of a plate. They are accompanied by a poem. The two relate an encounter with a stump which happened during a stay in the countryside. Daily, I walked back and forth the stump, drawing it on my copper plate.

Unfired earthenware bottles which abide by crevices. Sometimes they hold a message.

Appeared in June in the shed Disparu.e.s of the installation House and in July in the shred Disappeared of the House installation.

Appeared in the Disparu.e.s shred of the Maison installation in June, during the exhibition Toucher, Écouter, Habiterat Maison Rose, in the Disparu.e.s shred of the Maison installation in July at the HEAR-Here and Now graduation exhibition, and in the Disparu.e.s shred presented in the exhibition La Mer, la Terre et le Sel.