A poem about waiting inscribed on a latex tube. Growing installation.
Appeared in the shred Tension in the installation Maison in june, the shred Ficeler in the installation Maison in july and the shred Ficeler and a performance in the festival Les Voix qui Portent in july.
A face of Khouloud’s.
Sculptural work created within the Art-Object studies at the “Book” workshop of the Haute École des Arts du Rhin (HEAR).
A throwback to my arrival to France after I left Lebanon. Wandering around the photos and the poems arouse the vertigo from adjusting from one emotional state to another.
Installation exhibited during the DNA jury at the Haute École des Arts du Rhin, and later presented in the exhibition (Co)Habiter at Espace Apollonia, as part of the Les Habité·e·s festival.
A selection of the installation’s salted paper prints is available for acquisition in the shop.
A room in which Joud remains.
Joud makes paper planes. One of them flew further than 10m. She sometimes makes paper boats. She says that those fly better than her planes, but that she would not dare throw them.
Two photo series entitled: racines (roots) et feuille (leaf).
Exposing one obliges fracturing the other. The book is sealed on both ends, the reader must make a choice to;
unbind the pages to access the serie feuille
or
cut the foredge to access the serie roots
Book created as part of the Object-Art program, within the “Book” studio at the Haute École des Arts du Rhin (HEAR).
Book of intaglio prints of multiple states of a plate. They are accompanied by a poem. The two relate an encounter with a stump which happened during a stay in the countryside. Daily, I walked back and forth the stump, drawing it on my copper plate.
Unfired earthenware bottles which abide by crevices. Sometimes they hold a message.
Appeared in June in the shed Disparu.e.s of the installation House and in July in the shred Disappeared of the House installation.
Appeared in the Disparu.e.s shred of the Maison installation in June, during the exhibition Toucher, Écouter, Habiterat Maison Rose, in the Disparu.e.s shred of the Maison installation in July at the HEAR-Here and Now graduation exhibition, and in the Disparu.e.s shred presented in the exhibition La Mer, la Terre et le Sel.
Book of photographs by photojournalist Tim Sioufi commented by Sioufi himself and Hani alSawwah. It is edited by Henrich Böll Stiftung Beirut thanks to Dr. Bente Scheller, Nadine ElAli and Roua Arajki in German, English, French and Arabic.
Publication under the artistic direction of Jana Traboulsi. It accompanies a performance by Tania el Khoury and Ziad Abu-Rish on the absurd news of the corrupt company Electricity of Lebanon.
Book created in the context of my work at Ayloul Studio.
Autofiction in prose that relates my process of creation. It expands on two layers; the first narrative gives a voice to a still consciousness contemplating its room. Buried voices emerge from objects scattered in its surroundings. The second layer explores these voices.
Book created and written as part of the DNSEP thesis at HEAR. It is not commercially distributed but is available for consultation at the Manufacture des Tabacs library.
It has been presented in several exhibitions, including Les À‑Côtés, Bibliothèque Parasite at the Médiathèque André Malraux, during the HEAR-Here and Now graduation weekend at HEAR, and in the exhibition Toucher, Écouter, Habiter at Maison Rose.
