Graphic designer
I create visual and material experiences and design their objects.
These objects may take the form of a book, a poster, a set of elements for a visual identity, a bag, an image, a volume, or an editorial object. Together, we consider their uses, context, and the gestures they engage. Images, words, and materials gradually come together—from paper to volume—to give rise to situated, sensitive graphic objects conceived as a whole.
Design and fabrication evolve simultaneously. Training and practice at the crossroads of graphic design and art school make it possible to work both on limited-edition projects—bound, sewn, and handmade—and on projects intended for industrial production, in dialogue with offset printers and large-scale production units.
I clean, I tidy up, I am at home.
I pack my objects into boxes and go to an exhibition space: books, textiles, papers, found objects, fabricated objects, household products.
Once on site, the boxes are overturned. I let the objects appear, move, and assemble. The groupings become “fragments” that find their place in interstices, on walls, in cracks, in the middle of the room.
Books to be read, materials to be looked at; the fragments trace ways of moving through space.
The installation transforms according to the site and the duration of the exhibition. Then, one day, the objects return to their boxes and are stored again at home, in another arrangement, another way.
Everything has its place in this damaged world. A place shaped by habits, care, organization, and movement—where our ways of inhabiting become a form of resistance.
› Visual Identities
Graphic systems conceived through their printed and material applications.
› Graphic Objects & Packaging
Custom objects, packaging, editorial and material forms.
› Installations & Volumes
For exhibitions, events, and presentation spaces, between public and domestic uses.
› Visual Devices & Experiences
Objects and installations conceived through use, gesture, and circulation.
Education
› DNSEP (Diplôme National Supérieur d’Expression Plastique), Art Objet
Spécialisation Arts du livre, Haute École des Arts du Rhin — juin 2024
› DNA (Diplôme National d’Art), Art Objet
Spécialisation Arts du livre, Haute École des Arts du Rhin — juin 2022
› BFA (Bachelor of Fine Arts) en design graphique
Département Architecture et Design, American University of Beirut
Mineure en arts plastiques — juin 2016
Exhibitions & distinctions
2025
› Recipient of the Louise Desrosiers Creation Grant
› Group exhibition, La mer, la terre et le sel, Apollonia, Strasbourg, Arsmondo Méditerranée Festival — Opéra National du Rhin — April–May and June–September 2025
› Group exhibition, Les à-côtés, bibliothèque parasite,
Médiathèque André Malraux, Strasbourg — April–May 2025
2024
› Group exhibition, Méthodologies de l’incertitude, La Chaufferie, Strasbourg (following a workshop with Mountain Cutters) — January–March 2024
2023
› Group exhibition, Conserverie de Photos Familiales, Metz (member of the team responsible for the exhibition’s complementary publication) — May 2023
› Group exhibition, Objections, Musée des Arts Décoratifs, Strasbourg (& responsible for the exhibition booklet) — March 2023
› Group exhibition, Fabophile, CEAAC, Strasbourg (following a fève-making workshop with JJ von Panure) — January 2023
› Book featured in Slanted 42 — Books
2022
› Group exhibition, (Co)Habiter, Apollonia, Strasbourg (& poster design) — July–October 2022
2021
› Drawings published in Rusted Radishes #9
2016
› Dean’s Award, Faculty of Engineering and Architecture, American University of Beirut (Creative Achievement — recognition of exceptional creativity and imagination)
writing & photography & printing techniques & bookbinding & sewing & engraving & working with volume & spatial arrangement of objects & as well as digital practices
are among the tools mobilized depending on the projects